Eric Nazarian is an Armenian-American film Film director and screenwriter.
Inspired by his father Haik's love of world cinema, Nazarian apprenticed at his father's photo lab where Haik taught him the fundamentals of visual storytelling through photojournalism and screenwriting. After graduating from Verdugo Hills High School, Nazarian traveled extensively, exploring the Southwest and Baja California, inspired by the photography of Robert Frank and the travelogues of Sam Shepard and John Steinbeck across America and the Sea of Cortez. With a Minolta 35mm. camera gifted to him by Haik, Nazarian photographed Southern California street cultures, immigrant communities, Los Angeles gangs and iconographies of underworld cultures pouring in from the former Soviet bloc. During his undergraduate years at USC Film School, Nazarian studied Film Production and wrote several screenplays exploring the historical and cross-cultural ties that bind Mexican-American, Armenian, Native American, Latin and African-American narratives across different periods in 20th century America. During his senior year at USC, he photographed post-war life in the Republic of Nagorno-Karabakh in the Southern Caucasus that further cemented his international storytelling passions spanning from the Near East to the U.S.
In 2008, Nazarian won the Academy of Motion Picture Arts and Sciences prestigious Nicholl Fellowship for his screenplay, "Giants."
After receiving the Fellowship, Nazarian wrote and directed "Bolis," a short film about a descendant of an Armenian Genocide survivor in Istanbul as part of the European Union Capital of Culture Program.
"Three Christs", Nazarian's adaptation of Milton Rokeach's "The Three Christs of Ypsilanti" with director Jon Avnet premiered at the Toronto International Film Festival (TIFF), starring Richard Gere, Peter Dinklage, Julianna Margulies and Walton Goggins.
In 2021, Nazarian wrote and directed "Die Like a Man," the first installment of a rites of passage film trilogy exploring street cultures, cycles of violence and gentrification across two decades in 21st century America.
|
|